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I will start it off with something I have sitting around. Just post whatever you feel like genning or have already genned. No thematic focus unless you want to.

My Hero Academia - Enji Todoroki's little secret has been discovered by his son... Hateful Batman - Batman is too rich ! The city's poor have captured him !🤑 Terry Bogard - Summer is almost here. It's very hot.🔥 Cassidy a.k.a McCree - This American cowboy tossed cigar butts everywhere, causing multiple fires !🤢 Carlos and Leon - This is an AI-generated image I created last year. Many people seem to like these images, so I created an animation of them. Made Skyrim great again - I rarely create Skyrim animations anymore; I mostly use AI to create videos.

MinAI - AI (SFW/NSFW) for CHIM View File Description This mod bridges Large Language Models with Skyrim, allowing you to walk up to any npc in the world and seamlessly talk to them. It integrates with many sfw features/mods, as well as many NSFW ones, allowing an unparalleled roleplaying experience for both SFW and NSFW gameplay. This is not only dialogue, it also integrates smoothly with many sfw and nsfw systems. NOTE: This project is deprecated and is no longer supported. See https://github.com/MinLL/SkyrimNet-GamePlugin/tree/main for a more modern replacement. Submitter Min Submitted 08/25/24 Category Dialog Sex Requirements Mantella, openrouter.ai, PapyrusUtil, SKSE Regular Edition Compatible No Install Instructions  

View File TCG Card Shop Simulator - Blacked Waifus Overhaul Blacked Waifus Overhaul Mod A TCG Card Shop Sim Texture Replacer & New Cards Mod Features: Complete replacement and renaming of the Base Card Set. Adds 100 New Cards on top of the replaced base set. New Shop Sign New Shop Bag New Membership/Credit Card New Posters New Sleeves New Figures New Boxes New Playmats And much more... Requirements: TCG Card Shop Simulator BepInEX TextureReplacer Card Configurator (More Card Expansions Rewrite) Both the Configurator & Create Cards files! ArtExpander Install TCG Blacked 1.1.0 Last! Drop the BepInEX folder into the game's .exe folder and overwrite. This mod has been in development for a year now. It was started by a user named Akasame on the Blacked Modding discord, who was the one that replaced the base game card set and with another user named Daxterino to replace a lot of the posters in the game. Unfortunately Akasame left the discord and development on the mod when he was in the middle of replacing all the names for the base card set. I wanted to at least finish off the rest of the unnamed cards for the mod, but eventually I found myself working to finish what he had started with an effort to replace all the base game "Tetramon" textures with new ones for the "Blacked Waifus" branding, which then lead to adding in new cards with a new design philosophy centered on the corruption stages of the characters. However, the mod (Card Configurator) has, unfortunately, become more and more outdated and many card overhaul mods like this one that use even older mods no longer work. So before the game's 1.0 release I wanted to release the mod in full so other players can enjoy what's there even with some of the issues the mod currently has, even if it isn't fully complete how I wanted it to be. Future Plans: A full remake of the mod is planned and in the works. However, it'll be 2027 at the earliest that you'll see anything of it since I'll have to wait for mods to mature after the 1.0 release of the game and test what works for what I want to do in the most efficient way possible. Thank you and have fun~ Disclaimer: AI was used in the creation of the artwork seen in this mod. Tattoo edits done by Korsaw and Mangust99 Submitter PrincessCyan Submitted 05/26/26 Category Other Games Requirements BepInEX TextureReplacer ArtExpander Card Configurator + Create Cards Install Instructions Install BepInEX Install TextureReplacer Install ArtExpander Install Card Configurator + Create Cards Extract TCG Blacked 1.1.0.zip to your TCG Shop Sim game directory where the .exe file is.  

Erotic Art - AI Replacer View File Replacer for "Erotic Art" mod This mod is just texture replacer so you need original Erotic Art mod for it, and also expanded version for more pictures: https://www.nexusmods.com/fallout4/mods/44748 Separated on 5 parts cos of upload file size limit. In total it contains 880 images in 2K resolution almost all of them were replaced by AI generated images created by various artists, taken from Rule34. Magazines covers did not replaced, also pictures titles in workshop menu stay original. I took most good looking pictures and made some correction for strange looking parts, there is no special order everythig is pretty messy, just a quick replace. In original Erotic Art mod you need to find magazines to be able to build this pictures, picture frames and pictures itself are separate buidable odjects, so you build frame at first and than add picture into it, or you can build just picture, it will looks like poster. in original mod there is no square format, but i turned some pictures into square, it work ok without frame anyway, but i create a small mod that adds square frame if you really need to it. one issue - it has no snapping points and after you place it on a wall you will place picture in it approximately. Installation: can be installed though mod manager as it is, or repacked into one archive, also can be manually placed into folder Data\Textures\culturedposters Submitter RonRid Submitted 06/27/2024 Category Models & Textures Requires Erotic Art  

Fate/Grand order - There are too many characters in Fate/Grand Order. Can you recognize who they are? Robin Hood was captured by tentacles 🪱 Captain Evil - Captain Evil is going to rule the world! No man can stand against his shield and phallus...... 😈 Gay World Cup - The World Cup has just ended. Now the Gay World Cup is about to begin. ⚽ Medieval - Your ancestors were all like that (not my ancestors) 🤩 My ancestors might have been like this (quack doctors ? or perverts ? ) 🤢

Carpa 5558 cerrara la historia de Angustias de la soledad Martinez Ribera. En un principio habia pensado editar un numero reducido como especial de verano, pero, al final, se presentara como uno mas de los numeroa de la serie. Como siempre, es mejor que Analia nos introduzca en este Carpa 5558. Intro: El trabajo previo para los volúmenes dedicados a la historia de la fotografía y el segundo dedicado a “Nene” nos ha ocupado todo este ultimo año. Nuestra actividad editorial quedo bajo mínimos y solo publicamos pequeños trabajos complementarios a números de Carpa ya presentados: 1812,1943 y 3388. Dada la proximidad de las vacaciones veraniegas decidí cerrar el año y posponer la publicación de los dos números comentados para el primer y segundo otoño simultaneando así su aparición con los trabajos del resto de redacciones y mandatos. La edición el año anterior de Carpa 3088 y el revuelo causado por la investigación de Petia impidió que todo el equipo disfrutara de unas merecidas vacaciones que repararía ahora con la larga pausa prevista y que abarcaría, prácticamente, los tres veranos. Nuestras lectoras comprobaran que nada de esto ha sucedido y en sus pantallas disfrutan de este nuevo Carpa, Carpa 5558, dedicado a cerrar nuestras investigaciones sobre el destino final de Angustias de la soledad Martinez Ribera y Casimira Vivar Garreta tras su exilio al segundo continente. En el momento de cerrar esa edición, Petia y todas nosotras, prometíamos retomar la investigación cuando fuera posible, pero desgraciadamente el retraso en la apertura de nuestra historia de la fotografía impediría, junto a muchos otros motivos, que pudiéramos centrarnos en ella hasta pasados, quizás, un par de años. Doña Estrella, tal y como se comentaba en Carpa 3088, una vez cerrada la edición, se dedico a rastrear y adquirir todo el material relacionado con la artista destacado por Petia durante sus pesquisas archiveras y si algunas veces fracaso, logro descubrir algunas muestras del trabajo de la artista inéditas o que se consideraban perdidas para siempre. Tras el resultado final de su gira mundial, comenzó a cribar el segundo continente obteniendo los resultados que motivaron su segunda visita por sorpresa a esta redacción. Acompañada por Fina, bonito sin duda es el amor verdadero, compartió con nosotras esos resultados, innecesario acicate, para que en lugar de disfrutar de nuestras merecidas vacaciones pusiéramos en marcha este volumen final dedicado a Doña Angustias añadiendo, como goloso remate, unas vacaciones pagadas en Mira verde para realizar desde allí todo nuestro trabajo. El resultado por todas nuestras seguidoras puede ser imaginado sin dificultad, Mira verde es el veraniego destino soñado por muchas de nuestras ciudadanas y cualquier plan vacacional palidece ante ella. Antes de la marcha de la pareja, Tini había resuelto todo conflicto previo y se cerraron con rapidez permisos y autorizaciones de nuestro mandato. Doña Estrella y Fina no podrían acompañarnos durante la investigación y redacción de este nuevo Carpa, la pareja había sido reclamada por la octava de la sabias para liderar la expedición a un lejano sistema estelar en el que uno de sus planetas mostraba signos de haber alcanzado un nivel evolutivo comparable al nuestro, pero por motivos desconocidos, había sido arrasado tras un largo conflicto bélico. Se transferirían todos los archivos y documentos a Petia para que a partir de esos nuevos datos retomara la prometida investigación. El material ofrecido por Doña Estrella no incluía ninguna revelación definitiva, es cierto, pero prometía extraordinarios resultados. Nuestra autoridad autorizo sin reservas la publicación de este numero especial como una deferencia especial para nuestra Estrellita, afirmación de la propia venerable y ya se ha comentado como Doña Genoveva Dorcas de Aguirre Puertas se ha rendido a la xenobiologa y concede cualesquiera de sus peticiones. En esta ocasión, por eso, acepto el trabajo externo aunque negó la colaboración oficial del tercer mandato. Todos los gastos y recursos necesarios serian proporcionados por Doña Estrella, sigo en mis trece y nuestra redacción seria la encargada de subirla a los servidores habituales, pero no se publicaría la habitual edición física para nuestras suscriptoras, el volumen pasaría a ser considerado uno de esos especiales de verano que el mandato accede a publicar de tanto en tanto. Una agradable sorpresa para las lectoras sin duda son estos especiales y siempre muy bien recibidos, por las amantes del arte fotográfico antiguo, desde la aparición de un primer numero publicado por esta redacción y costumbre adoptada por el resto de redacciones y, finalmente, por el tercer mandato. Dado el carácter festivo con el que fue concebido este Carpa 5558, he decidido permitir que mis redactoras lo adapten a las tres estivales y se empapen del distendido tono otorgado a cualquier periodo vacacional y se incluirán, para las intro a las secciones y cortes, referencias visuales relacionadas con estas especiales vacaciones. Como siempre, Dorita, será la encargada del diseño del volumen y, en esta ocasión, continuara con la linea estética iniciada en Carpa 1288. Un perfecto reflejo de la época a tratar y base ideal para desarrollar la investigación de Petia, convertida junto a Tini en directoras efectivas de la edición pues solo ellas, dadas sus características especiales, pueden compaginar esos días de sol y playa con el mas riguroso trabajo academico. Se ha comentado que no aparecerá ninguna nueva revelación extraordinaria, la vida de nuestras protagonistas discurrirá hasta el día de su muerte sin grandes sobresaltos, liberadas de la tiranía trabajaran en sus proyectos con total libertad y sin ninguna preocupación financiera las dos lo harán en lo que, realmente, les apetezca hacer. Se abandonara el genero pornografico y aunque al hacerlo pierden parte de su genio, alcanzan una serenidad y madurez creativa realmente impresionante que si bien no influirá en el desarrollo del arte de posguerra, si que lo hará indirectamente por su relación con algunas de las grandes figuras de las nuevas generaciones tal y como anuncia el óleo sobre cartón artístico seleccionada para la portada de este numero. Una obra descubierta por Doña Estrella al azar durante la visita de cortesía a una de las grandes comerciantes de antigüedades del segundo continente. Un óleo almacenado desde hacia tiempo y que dada su firma, Paulina Antúnez Davila, se consideraba una simple imitación, verdaderamente de cierto mérito, del trabajo de Angustias de la soledad Martinez Ribera. Si la anticuaria hubiera sido lectora de nuestras publicaciones hubiera evitado que Doña Estrella adquiriera la obra a un ridiculo precio y se hubiera ahorrado la desesperación al serle revelada la identidad real de la autora del óleo. Una pequeña maldad de Doña Estrella para reparar ciertas desavenencias comerciales del pasado entre la anticuaria y la xenobiologa. El óleo fue descubierto por Doña Estrella al poco de iniciar su búsqueda y jugo a su favor el retraso, producido por la investigación de Petia, del monográfico dedicado a Doña Angustias. El relato de su compra protagonizo la habitual sesión musical para cerrar su visita relámpago y, como hizo en el pasado, nos desvela ciertas practicas comerciales desconocidas para cualquiera de nosotras y tanto nos sorprendieron durante la realización de Carpa 3088. Durante todo su viaje contó con la imprescindible colaboración de Fina y Paola que intervendría en esta compra de forma directa. Una relación entre agente y coleccionista que va mucho mas de lo estrictamente comercial, que arranca desde la juventud de ambas mujeres y, por el momento, Doña Estrella prefiere no comentar. A la par que Doña Estrella y Fina viajaban por todo el planeta, el personal de Paola se centro, sobre todo, en la búsqueda de cualquier documentación relacionada con la estancia de nuestras protagonistas en el segundo continente y serian las responsables del descubrimiento de esa actividad fotográfica de Paulina ignorada por todas nosotras. Una actividad artística centrada mas que nada en la enseñanza, utilizando para ello una educativa combinación de métodos tradicionales con las cargas automáticas del pasado. Como Petia comentaba de su obra pictórica conservada en Boca negra, volvemos a encontrarnos con unas aspiraciones mucho mas académicas y controladas, alejadas de cualquier experimentación vanguardista. La discreción comentada anteriormente vuelve a ser patente en las fotografías adquiridas por las agentes de Paola y que, por lo que parece, nunca fueron expuestas en publico. Utilizadas como demostración de sus enseñanzas fueron puestas a la venta cuando se liquido la propiedad insular, un destino compartido, sin duda, por la obra de la portada y gran parte del archivo que no fue incluido en su legado posterior. Doña Estrella narro el descubrimiento de la obra en el almacén de la anticuaria, la fingida indiferencia con la que fue recibida su aparición, cordial despedida de la comerciante e inmediata comunicación con Paola: Necesito un gancho para el segundo continente: alta, pelirroja y con grandes tetas como le gustan a esa babosa. Adquirirá una serie de obras, incluyo listado, pero te adjunto la foto del verdadero interés. Tonta turista con dinero dispuesta a ser engañada, te concreto mañana todos los detalles. Ya tiene razón Petia cuando afirma que el regalo de la diosa roza con sus dedos la eternidad cuando se comporta como una perra sin alma. Analía Castro Bermudez. Google translator: Carpa 5558 will conclude the story of Angustias de la Soledad Martínez Ribera. Initially, I had planned to publish a shortened issue as a summer special, but in the end, it will be presented as a regular issue in the series. As always, it's best if Analía introduces us to Carpa 5558. Introduction: The preparatory work for the volumes dedicated to the history of photography and the second one dedicated to "Nene" has occupied us throughout this past year. Our editorial activity was reduced to a minimum, and we only published small supplementary pieces to previously released Carpa issues: 1812, 1943, and 3388. Given the approaching summer holidays, I decided to close out the year and postpone the publication of the two aforementioned issues until the first and second autumn, thus coordinating their release with the work of the other editorial teams and committees. The previous year's edition of Carpa 3088 and the stir caused by Petia's investigation prevented the entire team from enjoying a well-deserved vacation, which they would now make up for with the long hiatus planned, practically spanning three summers. Our readers will find that none of this has happened, and they are enjoying this new Carpa, Carpa 5558, dedicated to concluding our investigations into the final fate of Angustias de la Soledad Martinez Ribera and Casimira Vivar Garreta after their exile to the second continent. When we finalized that edition, Petia and all of us promised to resume the investigation as soon as possible, but unfortunately, the delay in launching our history of photography, along with many other factors, prevented us from focusing on it for perhaps a couple of years. Doña Estrella, as mentioned in Carpa 3088, once the edition was finalized, dedicated herself to tracking down and acquiring all the material related to the artist highlighted by Petia during her archival research. Although she sometimes failed, she managed to uncover some previously unpublished examples of the artist's work, or pieces that were considered lost forever. After the final results of her world tour, she began sifting through the second continent, obtaining the results that prompted her second surprise visit to our offices. Accompanied by Fina—true love is indeed beautiful—she shared these results with us, an unnecessary incentive, so that instead of enjoying our well-deserved vacations, we would launch this final volume dedicated to Doña Angustias, adding, as a sweet bonus, a paid vacation in Mira Verde to carry out all our work from there. The result, as all our followers can easily imagine, is that Mira Verde is the dream summer destination for many of our citizens, and any other vacation plan pales in comparison. Before the couple's departure, Tini had resolved all previous conflicts, and the necessary permits and authorizations for our mandate were swiftly finalized. Doña Estrella and Fina would not be able to accompany us during the research and writing of this new Carpa; the couple had been summoned by the eighth of the wise women to lead an expedition to a distant star system where one of its planets showed signs of having reached an evolutionary level comparable to our own, but for unknown reasons, it had been devastated after a long war. All the files and documents would be transferred to Petia so that she could resume the promised research based on this new data. The material offered by Doña Estrella did not include any definitive revelations, it is true, but it promised extraordinary results. Our authority unreservedly authorized the publication of this special issue as a special gesture of respect for our beloved Estrellita, a statement made by the venerable Doña Genoveva Dorcas de Aguirre Puertas herself. It has already been noted how Doña Genoveva Dorcas de Aguirre Puertas has yielded to the xenobiologist and grants any of her requests. Therefore, on this occasion, I accept the external work, although I deny official collaboration to the third administration. All necessary expenses and resources will be provided by Doña Estrella—I remain firm in my position—and our editorial team will be responsible for uploading it to the usual servers. However, the usual physical edition for our subscribers will not be published; the volume will be considered one of those summer specials that the administration agrees to publish from time to time. These specials are undoubtedly a pleasant surprise for readers and are always very well received by lovers of vintage photography, ever since the first issue was published by this editorial team, a practice adopted by the other editorial teams and, finally, by the third administration. Given the festive spirit in which this issue of Carpa 5558 was conceived, I've decided to allow my editors to adapt it to the three summers and immerse themselves in the relaxed tone of any holiday period. Visual references related to these special holidays will be included in the introductions to the sections and breaks. As always, Dorita will be in charge of the volume's design, and on this occasion, she will continue with the aesthetic style begun in Carpa 1288. It's a perfect reflection of the season and an ideal foundation for Petia's research. She and Tini have become the effective editors of this edition, as only they, given their unique circumstances, can combine those days of sun and sand with the most rigorous academic work. It has been said that no extraordinary new revelations will appear; the lives of our protagonists will unfold until their deaths without major upheavals. Freed from tyranny, they will work on their projects with complete freedom and without any financial worries. Both will do what they truly want to do. They will abandon the pornographic genre, and although in doing so they lose some of their genius, they achieve a truly impressive serenity and creative maturity. While this will not influence the development of postwar art, it will do so indirectly through their relationship with some of the great figures of the new generations, as evidenced by the oil on art cardboard selected for the cover of this issue. This work was discovered by Doña Estrella by chance during a courtesy visit to one of the great antique dealers of the second continent. The oil painting had been stored for some time and, given its signature, Paulina Antúnez Davila, was considered a mere imitation—albeit one of some merit—of the work of Angustias de la Soledad Martinez Ribera. Had the antique dealer been a reader of our publications, she would have prevented Doña Estrella from acquiring the painting at a ridiculously low price and would have spared herself the despair of discovering the true identity of the artist. A petty act of malice on Doña Estrella's part to settle certain past business disputes between the antique dealer and the xenobiologist. The oil painting was discovered by Doña Estrella shortly after beginning her search and the delay, caused by Petia's research, of the monograph dedicated to Doña Angustias played in her favor. The story of his purchase starred in the usual musical session to close his lightning visit and, as he did in the past, he reveals to us certain commercial practices unknown to any of us and which surprised us so much during the making of Carpa 3088. Throughout his trip he had the essential collaboration of Fina and Paola who would intervene directly in this purchase. A relationship between agent and collector that goes much further than the strictly commercial, which starts from the youth of both women and, for the moment, Doña Estrella prefers not to comment. At the same time that Doña Estrella and Fina traveled around the planet, Paola's staff focused, above all, on the search for any documentation related to the stay of our protagonists on the second continent and would be responsible for the discovery of that photographic activity of Paulina that was ignored by all of us. An artistic activity focused more than anything on teaching, using an educational combination of traditional methods with the automatic loads of the past. As Petia commented about his pictorial work preserved in Boca Negra, we once again find ourselves with much more academic and controlled aspirations, far from any avant-garde experimentation. The discretion mentioned above is once again evident in the photographs acquired by Paola's agents and which, apparently, were never exhibited in public. Used as a demonstration of his teachings, they were put up for sale when the island property was liquidated, a fate shared, without a doubt, by the work on the cover and a large part of the archive that was not included in his later legacy. Doña Estrella narrated the discovery of the work in the antique store's warehouse, the feigned indifference with which its appearance was received, a cordial farewell to the merchant and immediate communication with Paola: I need a hook for the second continent: tall, redhead and with big tits the way that slug likes them. You will acquire a series of works, I include a list, but I attach the photo of the real interest. Silly tourist with money willing to be deceived, I will specify all the details tomorrow. Petia is already right when she claims that the goddess's gift touches eternity with her fingers when she behaves like a soulless bitch. Analía Castro Bermudez. Algunas imagenes: Some images: