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The Sisterhood of Dibella SE (January 2025) View File This is the official Special Edition version of Sisterhood of Dibella. You can view the full details at the Legendary Edition page here. Features: Assist in the initiation of an older Sybil of Dibella Improved Sisterhood of Dibella, with better outfits and activities Improvements to the Temple (beds, items, scripted altar) Traveling Sisters with unique services A new model for marks of Dibella. Redeem marks to the Sybil for perk points. Scripted initiation of the Sybil, with SexLab scenes A new Shrine of Dibella (in a warm location) A quest to become a Travelling Sister and collect donations for the Temple Help - Walkthrough: Sisterhood of Dibella: FAQ Sisterhood of Dibella: Walkthrough User manual (PDF) Requirements: SexLab is required. There is no plan for OStim at the moment. Zaz animation pack V7.0 or later Optional: Fuz Ro D-oh Compatibility: The mod comes as loose files with my current make up of meshes for CBBE. You will want to refresh them with Bodyslides using these converted files: SexLab Dibella Sisterhood 3BA Bodyslides This mod was originally intended for female player characters, but I started opening it up to male characters as well. It hasn't been fully tested for male players past the first few quests. SexLab_DibellaCult.esp needs to be loaded BEFORE SexLab_DibellaCult_Sisters.esp You can ignore the 'sisters' add on if you don't care about seeing the sisters change outfits during the quest. This mod is designed to fit in with my other mods: SexLab Hormones - The stone flowers on the altar in the temple act as in-game configuration options. One of these options enables a forced sex change after the quest to retrieve Fjotra from captivity. That sex change will only work if you have Hormones installed. Sanguine Debauchery + - Sleeping in the Temple gives you a 50% chance of visiting Sanguine's Dreamworld. Sanguine will also recognize you started the quest with the sisters and make some comments about it occasionally. Acknowledgements: This mod includes assets from the following mods (with permission) Mark of Dibella model based on Gold Coins of the world @azmodan22 for unique Dibella statues. Thanks again for the contribution! @Verodor for the German translation @Content_Consumer , @Skoalbite and @Old_book for dialogues Agent of Dibella outfit for the player ( KIBELIUS outfit - only the dress ) Sybil corrupted ( R18pn lingerie by KURESE ) Sybil pure ( Salome dress CBBE convert by Chupy ) Sisters corrupted ( Jewelry outfit for CBBE by Gatti ) Sisters pure ( Ashara Imperial Wedding Dress for UNP by SydneyB ) Submitter DeepBlueFrog Submitted 02/28/2023 Category Quests Requirements SexLab, Zaz animation pack Regular Edition Compatible Not Applicable Install Instructions  

Erotic Art - AI Replacer View File Replacer for "Erotic Art" mod This mod is just texture replacer so you need original Erotic Art mod for it, and also expanded version for more pictures: https://www.nexusmods.com/fallout4/mods/44748 Separated on 5 parts cos of upload file size limit. In total it contains 880 images in 2K resolution almost all of them were replaced by AI generated images created by various artists, taken from Rule34. Magazines covers did not replaced, also pictures titles in workshop menu stay original. I took most good looking pictures and made some correction for strange looking parts, there is no special order everythig is pretty messy, just a quick replace. In original Erotic Art mod you need to find magazines to be able to build this pictures, picture frames and pictures itself are separate buidable odjects, so you build frame at first and than add picture into it, or you can build just picture, it will looks like poster. in original mod there is no square format, but i turned some pictures into square, it work ok without frame anyway, but i create a small mod that adds square frame if you really need to it. one issue - it has no snapping points and after you place it on a wall you will place picture in it approximately. Installation: can be installed though mod manager as it is, or repacked into one archive, also can be manually placed into folder Data\Textures\culturedposters Submitter RonRid Submitted 06/27/2024 Category Models & Textures Requires Erotic Art  

K4J3 - Angel Dust&Valentino Stuff (Hazbin Hotel) View File Hi! Personally, I’ve always felt that there aren’t enough nice, large pictures available in The Sims 4, so I decided to start creating my own! Everything I make is based purely on my personal taste and the kind of pictures I’d like to have in my own game. I don’t specifically create with community trends or preferences in mind, but of course, I’m always happy when someone else enjoys my creations too. 😊 If you have ideas or suggestions for picture collections, feel free to share them with me! I’m always open to hearing your ideas and seeing what others would like to have in their game. Have a wonderful day! - K4J3 on LoversLab All of my mods are Base Game compatible. All Swatches: Submitter K4J3 Submitted 08/16/26 Category Objects Requirements  

Carpa 5558 cerrara la historia de Angustias de la soledad Martinez Ribera. En un principio habia pensado editar un numero reducido como especial de verano, pero, al final, se presentara como uno mas de los numeroa de la serie. Como siempre, es mejor que Analia nos introduzca en este Carpa 5558. Intro: El trabajo previo para los volúmenes dedicados a la historia de la fotografía y el segundo dedicado a “Nene” nos ha ocupado todo este ultimo año. Nuestra actividad editorial quedo bajo mínimos y solo publicamos pequeños trabajos complementarios a números de Carpa ya presentados: 1812,1943 y 3388. Dada la proximidad de las vacaciones veraniegas decidí cerrar el año y posponer la publicación de los dos números comentados para el primer y segundo otoño simultaneando así su aparición con los trabajos del resto de redacciones y mandatos. La edición el año anterior de Carpa 3088 y el revuelo causado por la investigación de Petia impidió que todo el equipo disfrutara de unas merecidas vacaciones que repararía ahora con la larga pausa prevista y que abarcaría, prácticamente, los tres veranos. Nuestras lectoras comprobaran que nada de esto ha sucedido y en sus pantallas disfrutan de este nuevo Carpa, Carpa 5558, dedicado a cerrar nuestras investigaciones sobre el destino final de Angustias de la soledad Martinez Ribera y Casimira Vivar Garreta tras su exilio al segundo continente. En el momento de cerrar esa edición, Petia y todas nosotras, prometíamos retomar la investigación cuando fuera posible, pero desgraciadamente el retraso en la apertura de nuestra historia de la fotografía impediría, junto a muchos otros motivos, que pudiéramos centrarnos en ella hasta pasados, quizás, un par de años. Doña Estrella, tal y como se comentaba en Carpa 3088, una vez cerrada la edición, se dedico a rastrear y adquirir todo el material relacionado con la artista destacado por Petia durante sus pesquisas archiveras y si algunas veces fracaso, logro descubrir algunas muestras del trabajo de la artista inéditas o que se consideraban perdidas para siempre. Tras el resultado final de su gira mundial, comenzó a cribar el segundo continente obteniendo los resultados que motivaron su segunda visita por sorpresa a esta redacción. Acompañada por Fina, bonito sin duda es el amor verdadero, compartió con nosotras esos resultados, innecesario acicate, para que en lugar de disfrutar de nuestras merecidas vacaciones pusiéramos en marcha este volumen final dedicado a Doña Angustias añadiendo, como goloso remate, unas vacaciones pagadas en Mira verde para realizar desde allí todo nuestro trabajo. El resultado por todas nuestras seguidoras puede ser imaginado sin dificultad, Mira verde es el veraniego destino soñado por muchas de nuestras ciudadanas y cualquier plan vacacional palidece ante ella. Antes de la marcha de la pareja, Tini había resuelto todo conflicto previo y se cerraron con rapidez permisos y autorizaciones de nuestro mandato. Doña Estrella y Fina no podrían acompañarnos durante la investigación y redacción de este nuevo Carpa, la pareja había sido reclamada por la octava de la sabias para liderar la expedición a un lejano sistema estelar en el que uno de sus planetas mostraba signos de haber alcanzado un nivel evolutivo comparable al nuestro, pero por motivos desconocidos, había sido arrasado tras un largo conflicto bélico. Se transferirían todos los archivos y documentos a Petia para que a partir de esos nuevos datos retomara la prometida investigación. El material ofrecido por Doña Estrella no incluía ninguna revelación definitiva, es cierto, pero prometía extraordinarios resultados. Nuestra autoridad autorizo sin reservas la publicación de este numero especial como una deferencia especial para nuestra Estrellita, afirmación de la propia venerable y ya se ha comentado como Doña Genoveva Dorcas de Aguirre Puertas se ha rendido a la xenobiologa y concede cualesquiera de sus peticiones. En esta ocasión, por eso, acepto el trabajo externo aunque negó la colaboración oficial del tercer mandato. Todos los gastos y recursos necesarios serian proporcionados por Doña Estrella, sigo en mis trece y nuestra redacción seria la encargada de subirla a los servidores habituales, pero no se publicaría la habitual edición física para nuestras suscriptoras, el volumen pasaría a ser considerado uno de esos especiales de verano que el mandato accede a publicar de tanto en tanto. Una agradable sorpresa para las lectoras sin duda son estos especiales y siempre muy bien recibidos, por las amantes del arte fotográfico antiguo, desde la aparición de un primer numero publicado por esta redacción y costumbre adoptada por el resto de redacciones y, finalmente, por el tercer mandato. Dado el carácter festivo con el que fue concebido este Carpa 5558, he decidido permitir que mis redactoras lo adapten a las tres estivales y se empapen del distendido tono otorgado a cualquier periodo vacacional y se incluirán, para las intro a las secciones y cortes, referencias visuales relacionadas con estas especiales vacaciones. Como siempre, Dorita, será la encargada del diseño del volumen y, en esta ocasión, continuara con la linea estética iniciada en Carpa 1288. Un perfecto reflejo de la época a tratar y base ideal para desarrollar la investigación de Petia, convertida junto a Tini en directoras efectivas de la edición pues solo ellas, dadas sus características especiales, pueden compaginar esos días de sol y playa con el mas riguroso trabajo academico. Se ha comentado que no aparecerá ninguna nueva revelación extraordinaria, la vida de nuestras protagonistas discurrirá hasta el día de su muerte sin grandes sobresaltos, liberadas de la tiranía trabajaran en sus proyectos con total libertad y sin ninguna preocupación financiera las dos lo harán en lo que, realmente, les apetezca hacer. Se abandonara el genero pornografico y aunque al hacerlo pierden parte de su genio, alcanzan una serenidad y madurez creativa realmente impresionante que si bien no influirá en el desarrollo del arte de posguerra, si que lo hará indirectamente por su relación con algunas de las grandes figuras de las nuevas generaciones tal y como anuncia el óleo sobre cartón artístico seleccionada para la portada de este numero. Una obra descubierta por Doña Estrella al azar durante la visita de cortesía a una de las grandes comerciantes de antigüedades del segundo continente. Un óleo almacenado desde hacia tiempo y que dada su firma, Paulina Antúnez Davila, se consideraba una simple imitación, verdaderamente de cierto mérito, del trabajo de Angustias de la soledad Martinez Ribera. Si la anticuaria hubiera sido lectora de nuestras publicaciones hubiera evitado que Doña Estrella adquiriera la obra a un ridiculo precio y se hubiera ahorrado la desesperación al serle revelada la identidad real de la autora del óleo. Una pequeña maldad de Doña Estrella para reparar ciertas desavenencias comerciales del pasado entre la anticuaria y la xenobiologa. El óleo fue descubierto por Doña Estrella al poco de iniciar su búsqueda y jugo a su favor el retraso, producido por la investigación de Petia, del monográfico dedicado a Doña Angustias. El relato de su compra protagonizo la habitual sesión musical para cerrar su visita relámpago y, como hizo en el pasado, nos desvela ciertas practicas comerciales desconocidas para cualquiera de nosotras y tanto nos sorprendieron durante la realización de Carpa 3088. Durante todo su viaje contó con la imprescindible colaboración de Fina y Paola que intervendría en esta compra de forma directa. Una relación entre agente y coleccionista que va mucho mas de lo estrictamente comercial, que arranca desde la juventud de ambas mujeres y, por el momento, Doña Estrella prefiere no comentar. A la par que Doña Estrella y Fina viajaban por todo el planeta, el personal de Paola se centro, sobre todo, en la búsqueda de cualquier documentación relacionada con la estancia de nuestras protagonistas en el segundo continente y serian las responsables del descubrimiento de esa actividad fotográfica de Paulina ignorada por todas nosotras. Una actividad artística centrada mas que nada en la enseñanza, utilizando para ello una educativa combinación de métodos tradicionales con las cargas automáticas del pasado. Como Petia comentaba de su obra pictórica conservada en Boca negra, volvemos a encontrarnos con unas aspiraciones mucho mas académicas y controladas, alejadas de cualquier experimentación vanguardista. La discreción comentada anteriormente vuelve a ser patente en las fotografías adquiridas por las agentes de Paola y que, por lo que parece, nunca fueron expuestas en publico. Utilizadas como demostración de sus enseñanzas fueron puestas a la venta cuando se liquido la propiedad insular, un destino compartido, sin duda, por la obra de la portada y gran parte del archivo que no fue incluido en su legado posterior. Doña Estrella narro el descubrimiento de la obra en el almacén de la anticuaria, la fingida indiferencia con la que fue recibida su aparición, cordial despedida de la comerciante e inmediata comunicación con Paola: Necesito un gancho para el segundo continente: alta, pelirroja y con grandes tetas como le gustan a esa babosa. Adquirirá una serie de obras, incluyo listado, pero te adjunto la foto del verdadero interés. Tonta turista con dinero dispuesta a ser engañada, te concreto mañana todos los detalles. Ya tiene razón Petia cuando afirma que el regalo de la diosa roza con sus dedos la eternidad cuando se comporta como una perra sin alma. Analía Castro Bermudez. Google translator: Carpa 5558 will conclude the story of Angustias de la Soledad Martínez Ribera. Initially, I had planned to publish a shortened issue as a summer special, but in the end, it will be presented as a regular issue in the series. As always, it's best if Analía introduces us to Carpa 5558. Introduction: The preparatory work for the volumes dedicated to the history of photography and the second one dedicated to "Nene" has occupied us throughout this past year. Our editorial activity was reduced to a minimum, and we only published small supplementary pieces to previously released Carpa issues: 1812, 1943, and 3388. Given the approaching summer holidays, I decided to close out the year and postpone the publication of the two aforementioned issues until the first and second autumn, thus coordinating their release with the work of the other editorial teams and committees. The previous year's edition of Carpa 3088 and the stir caused by Petia's investigation prevented the entire team from enjoying a well-deserved vacation, which they would now make up for with the long hiatus planned, practically spanning three summers. Our readers will find that none of this has happened, and they are enjoying this new Carpa, Carpa 5558, dedicated to concluding our investigations into the final fate of Angustias de la Soledad Martinez Ribera and Casimira Vivar Garreta after their exile to the second continent. When we finalized that edition, Petia and all of us promised to resume the investigation as soon as possible, but unfortunately, the delay in launching our history of photography, along with many other factors, prevented us from focusing on it for perhaps a couple of years. Doña Estrella, as mentioned in Carpa 3088, once the edition was finalized, dedicated herself to tracking down and acquiring all the material related to the artist highlighted by Petia during her archival research. Although she sometimes failed, she managed to uncover some previously unpublished examples of the artist's work, or pieces that were considered lost forever. After the final results of her world tour, she began sifting through the second continent, obtaining the results that prompted her second surprise visit to our offices. Accompanied by Fina—true love is indeed beautiful—she shared these results with us, an unnecessary incentive, so that instead of enjoying our well-deserved vacations, we would launch this final volume dedicated to Doña Angustias, adding, as a sweet bonus, a paid vacation in Mira Verde to carry out all our work from there. The result, as all our followers can easily imagine, is that Mira Verde is the dream summer destination for many of our citizens, and any other vacation plan pales in comparison. Before the couple's departure, Tini had resolved all previous conflicts, and the necessary permits and authorizations for our mandate were swiftly finalized. Doña Estrella and Fina would not be able to accompany us during the research and writing of this new Carpa; the couple had been summoned by the eighth of the wise women to lead an expedition to a distant star system where one of its planets showed signs of having reached an evolutionary level comparable to our own, but for unknown reasons, it had been devastated after a long war. All the files and documents would be transferred to Petia so that she could resume the promised research based on this new data. The material offered by Doña Estrella did not include any definitive revelations, it is true, but it promised extraordinary results. Our authority unreservedly authorized the publication of this special issue as a special gesture of respect for our beloved Estrellita, a statement made by the venerable Doña Genoveva Dorcas de Aguirre Puertas herself. It has already been noted how Doña Genoveva Dorcas de Aguirre Puertas has yielded to the xenobiologist and grants any of her requests. Therefore, on this occasion, I accept the external work, although I deny official collaboration to the third administration. All necessary expenses and resources will be provided by Doña Estrella—I remain firm in my position—and our editorial team will be responsible for uploading it to the usual servers. However, the usual physical edition for our subscribers will not be published; the volume will be considered one of those summer specials that the administration agrees to publish from time to time. These specials are undoubtedly a pleasant surprise for readers and are always very well received by lovers of vintage photography, ever since the first issue was published by this editorial team, a practice adopted by the other editorial teams and, finally, by the third administration. Given the festive spirit in which this issue of Carpa 5558 was conceived, I've decided to allow my editors to adapt it to the three summers and immerse themselves in the relaxed tone of any holiday period. Visual references related to these special holidays will be included in the introductions to the sections and breaks. As always, Dorita will be in charge of the volume's design, and on this occasion, she will continue with the aesthetic style begun in Carpa 1288. It's a perfect reflection of the season and an ideal foundation for Petia's research. She and Tini have become the effective editors of this edition, as only they, given their unique circumstances, can combine those days of sun and sand with the most rigorous academic work. It has been said that no extraordinary new revelations will appear; the lives of our protagonists will unfold until their deaths without major upheavals. Freed from tyranny, they will work on their projects with complete freedom and without any financial worries. Both will do what they truly want to do. They will abandon the pornographic genre, and although in doing so they lose some of their genius, they achieve a truly impressive serenity and creative maturity. While this will not influence the development of postwar art, it will do so indirectly through their relationship with some of the great figures of the new generations, as evidenced by the oil on art cardboard selected for the cover of this issue. This work was discovered by Doña Estrella by chance during a courtesy visit to one of the great antique dealers of the second continent. The oil painting had been stored for some time and, given its signature, Paulina Antúnez Davila, was considered a mere imitation—albeit one of some merit—of the work of Angustias de la Soledad Martinez Ribera. Had the antique dealer been a reader of our publications, she would have prevented Doña Estrella from acquiring the painting at a ridiculously low price and would have spared herself the despair of discovering the true identity of the artist. A petty act of malice on Doña Estrella's part to settle certain past business disputes between the antique dealer and the xenobiologist. The oil painting was discovered by Doña Estrella shortly after beginning her search and the delay, caused by Petia's research, of the monograph dedicated to Doña Angustias played in her favor. The story of his purchase starred in the usual musical session to close his lightning visit and, as he did in the past, he reveals to us certain commercial practices unknown to any of us and which surprised us so much during the making of Carpa 3088. Throughout his trip he had the essential collaboration of Fina and Paola who would intervene directly in this purchase. A relationship between agent and collector that goes much further than the strictly commercial, which starts from the youth of both women and, for the moment, Doña Estrella prefers not to comment. At the same time that Doña Estrella and Fina traveled around the planet, Paola's staff focused, above all, on the search for any documentation related to the stay of our protagonists on the second continent and would be responsible for the discovery of that photographic activity of Paulina that was ignored by all of us. An artistic activity focused more than anything on teaching, using an educational combination of traditional methods with the automatic loads of the past. As Petia commented about his pictorial work preserved in Boca Negra, we once again find ourselves with much more academic and controlled aspirations, far from any avant-garde experimentation. The discretion mentioned above is once again evident in the photographs acquired by Paola's agents and which, apparently, were never exhibited in public. Used as a demonstration of his teachings, they were put up for sale when the island property was liquidated, a fate shared, without a doubt, by the work on the cover and a large part of the archive that was not included in his later legacy. Doña Estrella narrated the discovery of the work in the antique store's warehouse, the feigned indifference with which its appearance was received, a cordial farewell to the merchant and immediate communication with Paola: I need a hook for the second continent: tall, redhead and with big tits the way that slug likes them. You will acquire a series of works, I include a list, but I attach the photo of the real interest. Silly tourist with money willing to be deceived, I will specify all the details tomorrow. Petia is already right when she claims that the goddess's gift touches eternity with her fingers when she behaves like a soulless bitch. Analía Castro Bermudez. Algunas imagenes: Some images:

There's just something about Greco-Roman art that I just can't let go of. I'll put my finger on it, then get back with you

Carpa 3088 download Este fin de semana he concluido las ultimas correcciones y ya esta disponible para su descarga Carpa 3088. Un numero de caracter monografico dedicado a la figura de Angustias de la soledad Martinez Ribera. Como es habitual, he aqui un fragmento de su introduccion. Intro: La aparición de este numero especial, Carpa 3088, al improviso, habrá sorprendido, sin duda alguna, a las seguidoras de las publicaciones de nuestro tercer mandato editorial y de las ediciones de la redacción de fotografía antigua del mismo. De una forma somera, en Carpa 1288, se comento, un tanto de pasada, la necesidad de dedicar un volumen extraordinario a la figura de Angustias de la Soledad Martinez Ribera y su magistral obra artística, apareciendo en ese numero como una de las desconocidas influencias de Condenacion Torres Mesa y como, muy por encima, nos detuvimos en sus historias gráficas y desdichada biografía. Cuando se cerro la edición del volumen anterior, todo estaba dispuesto para concluir los monográficos dedicados a la figura de “Nene” e iniciar el trabajo en el gran proyecto editorial centrado en la historia de la fotografía planetaria tal y como anunciaba en la despedida de nuestro 1288. Todo se precipito cuando a las pocas horas de abrirse sus servidores y distribuir las ediciones físicas, fui citada por la autoridad principal de este mandato: Genoveva Dorcas de Aguirre Puertas, a requerimiento de la octava división del conocimiento. El hecho de ser convocada directamente por nuestra autoridad ya es de por si un hecho extraordinario, pero aun lo era mas que “La octava de la sabias”, como familiarmente se conoce a la división de xenobiologia, fuera quien, realmente, convocara la reunión. Llegue al piso 43 de nuestra torre acompañada por Petia y Tini por cuestiones de respaldo técnico y datos pues nuestra linea editorial no tiene y, posiblemente, nunca tendrá relación con los temas de estudio de las arzodoctas de los laboratorios de investigación extra planetaria. Poco puedo contar sobre la entrevista con Doña Genoveva, nada confidencial hubo en ella, con su encantadora amabilidad y presencia, nuestra autoridad ordeno que la redacción se preparara para recibir, en tres días, la visita de Doña Estrella del Castillo de Valdivia y Orozco arzodocta principal de la división y figura legendaria de la exploración espacial por sus investigaciones y descubrimientos sobre las distintas formas de vida extra planetarias. Ella misma nos comunicaría el porque de su visita aunque nos aseguro que sus motivos eran de carácter estrictamente privado y nada tenían que ver con lo publicado hasta entonces por la redacción Prácticamente, toda la reunión fue acaparada por Petia y, en menor medida, por Tini, Doña Genoveva, como otras tantas venerables antes de ella, estaba fascinada por nuestra redactora y sobre todo, en su caso, por su producción novelera y folletinera. Petia correspondió a dicha admiración como merecía nuestra autoridad y uno tras otro interpreto lo mas granado de su composición melódica y obsequio a Doña Genoveva con los archivos de tres producciones inéditas creadas junto a Tini y la pentarquia, para despedirse con la promesa de una bienvenida musical a la visitante que nunca podría olvidar. Al salir, animadas las tres aunque algo intrigadas, por la urgencia de la reunión y visita, decidimos que la única actitud posible seria el no poético gesto de: “Pongame a mi otras dos”, al tomar asiento donde siempre. La visita de Doña Estrella a nuestra redacción, en solitario, sin comitiva, se desarrollo sin incidentes: Se intereso por nuestro trabajo, disfruto del espectáculo musical de la pentarquia, lloro con sus folletines y merendó con nosotras como una redactora mas, pero, antes de despedirse, nos sorprendió a todas al confesar el motivo de su petición a la autoridad del mandato. La arzodocta, décadas atrás, había iniciado una colección de arte privado en la que Angustias de la Soledad Martinez Ribera era su absoluta protagonista. Una colección mantenida en secreto por, en su momento, una infantil cuestión de prestigio academico dada la temática principal de su obra, y que Carpa 1288 le había llevado a romper, hacer publica su existencia y decidido a solicitar al mandato editorial el permiso, sin problemas concedido, para que nuestra redacción realizara el monográfico que presento en este previo aunque antes quería entrevistarse con nosotras, para diseñar y dirigir su proyecto editorial, sin necesidad de recurrir a los ruegos u ordenes de nuestras superioras. Doña Estrella fue criada por su tia Enriqueta tras fallecer sus madres en un trágico accidente aeroespacial, Doña Enriqueta Dalando Urquijo era una de las pocas académicas especializada en los antiguos “linelines” o en cualquiera de sus variantes planetarias por lo que la futura xenobiologa creció con ellos y, llegada su primera juventud, quedo fascinada por la obra de Angustias de quien, una vez obtenido el reconocimiento como investigadora y la asociada estabilidad económica necesaria, inicio esa colección que comentaba un poco mas arriba. Un afán coleccionista que le llevo a descubrir desconocidas facetas de la artista y que gustosamente mostraría a esta redacción una vez iniciado el trabajo previo en este 3088 junto a todos los archivos documentales que, pacientemente, había reunido a lo largo de los años. No tuve que convocar ninguna reunión a posteriori para dar una respuesta, los ojos brillantes de mis compañeras suplicaban que aceptara el ruego de la académica. Se rompieron las ordenes de la superioridad e inmediatamente se acordó pasar una semana en la residencia de Doña Estrella del Castillo para visitar la colección y organizar los previos al inicio del real para este volumen especial. Básicamente, se decidió que toda la redacción se instalaría en la vivienda y desde allí se realizaría este Carpa 3088, que nuestras lectoras disfrutaran como hemos hecho nosotras. Como única condición dispuse que la propia Doña Estrella participaría activamente en la elaboración de la revista, como una redactora mas, dado el conocimiento sobre el personaje y, naturalmente, su posición nos abriría el acceso, sin burocráticos retrasos a según que fondos o archivos imperiales y privados. Doña Estrella del Castillo de Valdivia y Orozco, académica ilustre, al cerrar la velada y mientras Sagrario, entre lagrimas, desgranaba “ Un regalo envenenado” de Lucinda Roy, se convirtió en Doña Estrellita para Petia al aceptar un pequeño papel en una breve improvisación con la que pensaba abrir nuestras jornadas de trabajo. Google translator: This weekend I finished the final corrections and Carpa 3088 is now available for download. This special issue is dedicated to the figure of Angustias de la Soledad Martínez Ribera. As usual, here is an excerpt from its introduction. Intro: The unexpected appearance of this special issue, Carpa 3088, will undoubtedly have surprised those who follow the publications of our third editorial term and the editions from our vintage photography department. In Carpa 1288, we briefly mentioned, somewhat in passing, the need to dedicate an extraordinary volume to the figure of Angustias de la Soledad Martínez Ribera and her masterful artistic work, mentioning her in that issue as one of the unknown influences on Condenación Torres Mesa, and briefly touching upon her graphic stories and tragic biography. When the previous volume was finalized, everything was ready to complete the monographs dedicated to the figure of "Nene" and begin work on the major publishing project focused on the history of planetary photography, as announced in the closing remarks of our 1288th issue. Everything changed drastically when, just hours after launching the servers and distributing the physical copies, I was summoned by the principal authority of this administration: Genoveva Dorcas de Aguirre Puertas, at the request of the Eighth Division of Knowledge. The fact that I was summoned directly by our authority is extraordinary in itself, but it was even more so that "The Eighth of the Wise," as the xenobiology division is familiarly known, was the one who actually convened the meeting. I arrived on the 43rd floor of our tower accompanied by Petia and Tini for technical support and data, since our editorial focus has no connection, and possibly never will, with the areas of study of the archdaught scholars of the extraterrestrial research laboratories. I can say little about the interview with Doña Genoveva; there was nothing confidential about it. With her charming kindness and presence, our authority instructed the editorial staff to prepare to receive, in three days, the visit of Doña Estrella del Castillo de Valdivia y Orozco, principal archduke of the division and a legendary figure in space exploration for her research and discoveries regarding various forms of extraterrestrial life. She herself would inform us of the reason for her visit, although she assured us that her motives were strictly private and had nothing to do with what the editorial staff had published up to that point. Practically the entire meeting was dominated by Petia and, to a lesser extent, by Tini. Doña Genoveva, like so many other venerable women before her, was fascinated by our editor and, above all, in her case, by her novels and serialized novels. Petia reciprocated this admiration as befitted our authority, and one after another, she performed the finest pieces of her melodic compositions. She then presented Doña Genoveva with the recordings of three unreleased productions created with Tini and the Pentarquia, bidding farewell with the promise of a musical welcome for the visitor that she would never forget. As we left, the three of us, though somewhat intrigued by the urgency of the meeting and visit, decided that the only possible response would be the decidedly unpoetic gesture of: “Give me two more,” as we took our usual seats. Doña Estrella's visit to our newsroom, alone and without an entourage, went off without a hitch. She showed interest in our work, enjoyed the musical performance of the Pentarchy, wept over her pamphlets, and shared a snack with us like any other editor. But before leaving, she surprised us all by revealing the reason for her request to the editorial board. Decades earlier, the learned archbishop had begun a private art collection in which Angustias de la Soledad Martínez Ribera was the central figure. This collection had been kept secret, at the time due to a childish concern for academic prestige given the main theme of her work. Carpa 1288 had prompted her to break this silence, make its existence public, and request permission from the editorial board—granted without hesitation—for our editorial team to produce the special issue I am presenting here. However, she first wanted to meet with us to discuss designing and directing her editorial project, without having to resort to the pleas or orders of our superiors. Doña Estrella was raised by her aunt Enriqueta after her mothers died in a tragic aerospace accident. Doña Enriqueta Dalando Urquijo was one of the few academics specializing in the ancient "linears" or any of their planetary variations, so the future xenobiologist grew up surrounded by them. In her early adulthood, she became fascinated by the work of Angustias, and once she achieved recognition as a researcher and the necessary financial stability, she began the collection I mentioned earlier. This passion for collecting led her to discover unknown facets of the artist, which she would gladly share with this publication once she had begun the preliminary work on this issue, 3088, along with all the documentary archives she had patiently gathered over the years. I didn't have to call a meeting afterward to give an answer; the bright eyes of my colleagues begged me to accept the academic's request. The orders from our superiors were disregarded, and it was immediately agreed to spend a week at Doña Estrella del Castillo's residence to visit the collection and organize the preparations for the actual start of work on this special volume. Essentially, it was decided that the entire editorial team would be based at her house, and from there, this issue, Carpa 3088, would be produced, so that our readers could enjoy it as we have. My only condition was that Doña Estrella herself would actively participate in the magazine's production, as just another writer, given her knowledge of the subject and, naturally, her position would grant us access, without bureaucratic delays, to certain imperial and private collections and archives. Doña Estrella del Castillo de Valdivia y Orozco, an illustrious academic, as the evening drew to a close, and while Sagrario, in tears, recited Lucinda Roy's "A Poisoned Gift," became Doña Estrellita for Petia by accepting a small role in a brief improvisation with which she planned to open our work sessions. Algunas de sus paginas: Some images:

Tacklebox Furfag Moment ! View File A recolour of the base game butterfly portrait from work of infamous furry artist Tacklebox (creator of twitter crack tiger) I mainly know Tacklebox for that and the other collections they've made with crack tiger, google them to check them out !! LIGHT substance abuse referenced in some of the art, if that's not your tea, I'd recommend not downloading, but if you like furries with fat asses your gonna LIVE for this pack Had so much fun working on this little project, enjoy <33 ---- DISCLAIMER: I DO NOT CLAIM THIS ART AS MINE ALL CREDIT IS GIVEN TO STATED ARTIST Submitter BnnutBoy Submitted 06/13/26 Category Paintings & Posters Requirements