Intelligent Voiced Dirty Talk SE 1.4.0

I may make more slots in the future if there's enough interest, but the total number will remain very limited. Anyone asking for an all-in-one or automatic voice assignment doesn't understand the limitations I'm working with. I would have made unlimited voices slots if I could.

My pain:
Skyrim's engine requires modders to specify the exact file path of every audio clip. The path cannot be dynamic and I have to navigate a file browser to specify the path of each clip--the kit doesn't let me do multiple at once. Keep in mind there are dozens of audio clips for each male voice and hundreds for each female voice. In the esp, this is all bundled into something called a sound descriptor object. To use the sound descriptor object, you need to create a sound marker object and pair it to the sound descriptor. Bethesda's scripting language, Papyrus, does not allow creating instances of classes (objects) in code, so to make a voice slot you have to get around it by creating a quest alias for each voice "instance", i.e. voice slot, add the female or male voice script to each alias and assign a new set of sound markers as properties for each script "instance"/quest alias. If this doesn't sound like an unworkable pain in the ass yet I'm not sure what will.

The original SexLab voice system supported hundreds of voices by literally copy and pasting these quest aliases hundreds of times in the kit (I couldn't believe it, haha) and putting the burden on extra mods to actually supply the sound descriptor and sound marker files. I didn't follow this approach for my mod, because that would require I make a thread-safe system to load in the voices and it would require anyone making a voice to also make their own esp. This would be my idea of technical hell (even just copying SexLab's voice management code would give me a headache) and it would also limit the people who can make voices to those who have experience making esps and have the extra time to create a massive number of sound descriptor and sound marker objects in that esp. I rationalized that since my voices are much bigger than SexLab's, no one would be willing to do that and creating hundreds of empty aliases with dozens of empty properties waiting to be assigned could also be a memory or performance concern.

The compromise was for me to front the work of dealing with all the esp and filepath nonsense so that everyone else could just worry about making the audio clips for the voice and nothing else. This would result in a small, fixed number of voice slots, but it would be less likely to cause performance issues, give me less of a technical headache and make voice creation easier. Disk space and memory is already a limiting factor, and I thought it would be fitting for this mod to focus on a few hand-selected, handcrafted voices anyways.

1. About To Cum - Said when he is about to cum in the next few seconds.
2. After Female Orgasm - Said in the moment after the female orgasms.
3. Aggressive - Used when he is the aggressor in aggressive scenes. Also used before/after he spanks his partner (this can be in non-aggressive scenes that are currently intense).
4. Aroused - Said in a variety of scenarios to show that the male is aroused by what is going on.
5. Joke After Orgasm - Joke the male can make a few seconds after he is done orgasming.
6. Joke Aroused - Joke the male can make in a variety of scenarios. The joke can play off of the fact he is aroused by what is going on.
7. Lovey Dovey - Lines said only when having sex with a lover.
8. Orgasm - The male orgasm sound.
9. Post Nut Remark - Lines he can say in the moment after he orgasms.
10. Struggling Early - If the male needs to cum early on (or soon after his last orgasm), he'll play this line. Chance for some humor or drama. This line will be followed by the other struggling dialogue topics (it won't be the only indicator he needs to cum).
11. Struggling Overt - Played for the male to clearly announce he will need to cum soon, but not urgently.
12. Struggling Subtle - Played often in a variety of scenarios to indicate the male is "struggling". I.e. He is either really enjoying a blowjob, pelvic thrust, etc. or is getting closer to orgasm.
13. Tease Aggressive Partner - Used when he is the victim in aggressive scenes. Or occasionally when he is trying to hype up intense sex in non-aggressive scenes.
14. Tease Female Orgasm - He'll say these when the female is on the verge of orgasm.

1. After Gape - Said following a gape during anal sex after she's already been gaped before. She may also say this following the Came In Ass topic if she's been gaped and penetrated enough.
2. After Orgasm Arouse - When she orgasms and the male reacts positively to her orgasm, she may then say this line. Chance to show she is enjoying her partners engagement. Things like "ooh you liked that" or "I'm starting to think you like this as much as I do".
3. After Orgasm Exclamations - Said immediately after she orgasms. Should be dramatic and resembling an immediate reaction.
4. After Orgasm Remarks - Said a moment or two after her orgasm once she's had enough time to collect herself. Can be a more thoughtful, less dramatic comment.
5. Amused - Played in response to jokes or other stupid things her partner may do.
6. Appreciate Partner - Only played when the chemistry level is (nearly) maxed out for the scene. Meant to show that the partners have really good chemistry and are really enjoying each other.
7. Ask For Anal - Said when she wants to start anal sex.
8. Ask For Anal Cum - Said when the guy has already announced he will need to cum soon and she wants him to cum in/on her ass.
9. Ask For Oral Cum - Same but for oral cum.
10. Ask For Vaginal Cum - Same but for vaginal cum.
11. Ask For Pacing Break - When the current stretch of penetrative sex has gone on long enough (configurable in the MCM), she will start to play these lines to ask her partner to switch back to foreplay.
12. Ass Flattering - When she is an "ass-girl" (configurable in the MCM), she will occasionally say these lines when something is going on during the sex that is "ass-flattering". Can be doggy-style sex, anal sex, etc.
13. Ass To Mouth - Said during blowjobs when anal sex happened at some point prior in the sex.
14. Before Gape - Said during anal sex when she has not been gaped yet.
15. Blowjob Action Intense - Sounds looped during a blowjob to give the impression she is blowing hard. If you're making a new voice, you could probably just copy/paste this topic from an existing voice.
16. Blowjob Action Soft - Same but for when the action is not as intense.
17. Blowjob Remarks - Occasionally when giving a blowjob, she will stop to say this line.
18. Breathy Intense - Used in a lot of scenarios as either filler or to give the impression she has an increased heart rate. Or she is trying to catch her breath after a blowjob.
19. Breathy Soft - Same as above but less dramatic versions.
20. Came In Ass - In the moments after the guy orgasms in/on her ass and things have settled a bit, she may say this.
21. Came In Mouth - Same but for oral cum.
22. Came In Pussy - Same but for vaginal cum.
23. Cum Together Tease - She may occasionally say this when both her and her male partner are about to cum. Good chance for drama.
24. Foreplay Intense - Played when things are getting saucy (female enjoyment is high) during foreplay. Can be any kind of foreplay (kissing, pussy-eating, blowjob, handjob, boobjob, footjob, etc).
25. Foreplay Soft - Same but not as intense. Can be more gentle.
26. Greet Familiar - Said at the start of sex to greet someone she has already had sex with before.
27. Greet Loaded Familiar - Same but for when she is particularly impressed with the guy's curved sword.
28. Greet Lover - Same but only for a lover.
29. In Awe - Used in a variety of scenarios as a reaction to something particularly pleasant or dramatic. For example, she will always say one of these lines right after the guy finishes his orgasm.
30. Insertion Anal Excited - Her reaction to the guy inserting his curved sword into her ass when she is already highly enjoying things or has already orgasmed a bunch.
31. Insertion Anal Slow - Same, but for when her enjoyment is not as high yet. She may ask him to go slow.
32. Insertion Generic - Her reaction to starting/resuming penetrative sex. Can be vaginal or anal. Will only be anal if she's already reacted to the novelty.
33. Intense Anal - Said when her enjoyment is high during anal sex.
34. Lovey Dovey - Lines said only for a lover. Played at a time during sex when a romantic comment would feel right.
35. Made Me Cum So Much - Occasionally played in place of After Orgasm Remarks when she has already orgasmed at least a couple times before.
36. Male Close Already - When the male indicates he needs to orgasm early on, she will react with this. Good chance for a roast.
37. Male Close Notice - When the guy indicates he will need to cum soon, she will respond with this line. Something like "ah, you must be close".
38. Male Close Tease Intense - After its established that the guy needs to cum soon, she may start churning out a number of these.
39. Male Close Tease Soft - Same but the mood is softer, more intimate.
40. Male Halfway Intense - When the guy has passed the halfway point to his next orgasm, in other words when he has started to take some attrition (but may not be super close yet), she may tease him occasionally with these.
41. Male Orgasm Non Oral - Played at the same time as the male orgasm sound to show her reaction in real-time. His curved sword is not in or around her mouth so she is free to talk.
42. Male Orgasm Oral - Same but he is orgasming in or around her mouth. She may sound like she has something in her mouth.
43. Male Orgasm Reaction Intense - Taunting or playful reaction to the male's orgasm after the dust has settled. Prior action was intense.
44. Male Orgasm Reaction Lover - Same but only for a lover and it can be intense or soft.
45. Male Orgasm Reaction Soft - Same but for any scenario.
46. Miss Male Lover - When she is with a lover and she hasn't had sex in a while, she may occasionally say these when a romantic comment would feel right.
47. My Turn To Cum - If the guy orgasmed recently, and now she is nearing orgasm, she may say this line to announce her need to orgasm. Something like "ugh, now I need to cum".
48. Near Orgasm Exclamations - Spoken dialogue indicating her need to cum.
49. Near Orgasm Noises - Same but non-verbal. Things like moans.
50. Notice Male Wants More - Usually played when enough time has passed since the last male orgasm that the female interprets it as meaning the guy wants to keep going. Something like "oh got more to say? can't wait". May also be played in other scenarios where the guy's libido and interest seems strong.
51. Oh - Used in a number of scenarios as a kind of knee-jerk reaction. Often times, she will follow up this line with another dialogue topic. Should be playful and interested-sounding. For example, this may be her immediate reaction to the guy saying he needs to cum soon.
52. On The Attack - Sounds to give the impression that she is dramatically thrusting her pelvis on her partner to arouse him further. Like she is doing the leg work of penetrative sex.
53. Orgasm - Female orgasm sound.
54. Penetrative Comments Intense - Spoken dialogue during penetrative sex when the action is intense.
55. Penetrative Comments Soft - Same but when the action is more gentle and intimate.
56. Penetrative Grunts - Grunts and moans played during penetrative sex. Used as filler.
57. Pull Out - When the male is getting very close to orgasm, he is currently in her pussy, and she doesn't want him to cum inside, she will tell him to pull out.
58. Ready To Get Going - When the current stretch of foreplay has gone on long enough (configurable in the MCM), she will start to play these lines to ask her partner to start penetrative sex. They may or may not have had penetrative sex already.
59. Ready To Resume - Same, but for when she wants to resume penetrative sex. They've already had penetrative sex at some point prior.
60. Refractory Period - After the dust has settled from the last male orgasm and all the reactions have played, she may remark on the sex so far while waiting to see if the male wants to continue. Things like "that was fantastic. if that's all you got".
61. Romance Male Thane - If she is the housecarl of her partner and they have good chemistry and prior sex, she may make humorous or playful comments about the relationship.
62. Satisfied - After the sex has gone on long enough, she will be satisfied and may play some of these. Things like "thank you" or "I'm ever so grateful".
63. Sensitive Pleasure - Lines of intense elation and pleasure. The kinds of noises she would make as she's being "eaten out". But, it could also be when she's getting spanked or ass-fucked.
64. Surprised By Male Orgasm - Reaction relatively quickly after the male orgasm when she wasn't expecting cum in that bodily location or at this moment. Something like "what was that!"
65. Tease Aggressive Partner - Played in aggressive scenes both for female victims and aggressors. The idea is that a female aggressor is not as direct as a male one and tries to arouse their partner and feign submissiveness. May also play in non-aggressive scenes when she's trying to play up the action.
66. Tease Anal - When she wants to seduce the man into doing anal for the scene, she'll starting out hinting it with these lines.
67. Unamused - A couple of these are played after the male cums in her pussy when he's not allowed to. This is also played when anal sex starts that she is not expecting and her reaction is configured to be "Reprimanding" in the MCM. Things like "what are you doing" or "ugh why you".
68. Unamused End - These lines are meant to act as transition lines where the female goes back to enjoying the sex after reprimanding the male with Unamused lines. Things like "I guess I can look the other way this time" or "I guess you can have that". One of these is played after a couple Unamused lines when the male cums in the female's pussy and she isn't happy. One of these also plays when the male pulls out from her ass after he is reprimanded for going in there.
69. Want More - Lines said after the male or female orgasm when she still wants more.
70. Want To Be Lover - When she's smashed this dude enough and has great chemistry with him, but is not designated by the game as his lover, she may play this line from time to time.

There's a start game enabled quest (not visible to the user), IVDTMainQuest, with a player alias. There's a script on this player alias, IVDTControllerScript, that receives an event anytime a SexLab scene is started. The script determines if it needs to play dirty talk for the scene based on the actors' names and voice types. If it doesn't, it does nothing and lets the scene go as usual. If it does, it attaches a magic effect to the female NPC being voiced that lasts for the duration of the scene. This magic effect has a script on it, IVDTSceneTrackerScript, which handles the dialogue for that scene. It creates a litany of variables to keep track of what's going on in the scene and registers for multiple events that happen through the scene so that it can create dialogue for those events. Most of the action is not tied to a particular SexLab or SLSO event, and is instead handled in the update event. This means its running an update event every second or two on average. While this is somewhat intensive, it has to be understood this is expected given what the mod is asked to do and should have no impact on performance outside of a SexLab scene. For my part, I haven't had any performance issues or anything break as a result of the mod. And for what its worth, I was careful in how I designed it. If you want to take a look for yourself in the Creation Kit, you can find all my stuff by searching "IVDT".

I have not noticed any performance issues. But, I admit I have a limited understanding of when audio is loaded into memory and when it is released from memory despite having wasted 4 years on a CS degree. If anyone has technical feedback on these grounds feel free to share. There is not a lot of information online about this stuff.

• There can only be one voiced male-only (i.e. gay) scene at a time.
• There *might* be occasional issues with voices not playing when they should. These *might* have to do with creatures, but I'm not sure. I *might* have fixed it, but I'm not sure.
• Sometimes the dirty talk continues for a few seconds after the end of a scene. It is not broken, it just hasn't reached the part in the code yet where it realizes it should terminate.
• Rarely the SexLab animation may lag behind and the dialogue may as a result be out of place with the animation. I remember SexLab being derpy before making this mod, so I have no confidence my mod did it more than any other mod (shifting blame).
• For simplicity reasons, dialogue is only played for at most one male and one female per scene (the exception is that gay scenes can have two male voices). Other actors will not be voiced. You can be OK with this, or there are some options in the MCM to not play dialogue at all in group sex scenarios if you'd prefer (in which case you can use the SexLab voices instead).

This mod was originally just for the FemaleEvenToned and MaleEvenToned voice types and was called "FemaleEvenToned Dirty Talk". This previous state was obviously limited in that it only served a specific voice type and was really more of a proof-of-concept than anything else. I took my time and over a few months adapted it into a more generalized system that became this mod. In the meantime much of the dialogue was improved. I should probably specify that FemaleEvenToned Dirty Talk was also mine so that it doesn't look like I'm stealing it. But it doesn't matter because I gave full permission on that mod anyway.

Most likely, I'm *mostly* done. I *may* come back from time to time and make more voices, voice slots, fix some stupid issue, or add a small feature, but that's probably it. In my mind, while this mod could always be improved further, its already better than I could have hoped for and I am ready to move on. It feels complete. I've included the source code and give full permission (no need to ask) to do any port, patch, revision, expansion, alternate version, new mod, etc. from this mod for this game or any other edition or game as long as you don't impact anyone else's ability to do the same with this mod.

Things to know before starting:

• Please do a quick test early on to make sure the audio you're making can be picked up by the game. Things can be a bit finnicky and it would suck to make all the audio just to realize at the end its in the wrong format.
• The process of making voices with quality that you're satisfied with, particularly if you're a perfectionist or are manually splice the audio, can be more time-consuming than you think. It can take on the high end days for male voices or weeks for female voices to get just right (not talking about first pass). Don't abuse yourself trying to make all the voices or expect something perfect, its too much. Keep it healthy.
• Know that you do not need to populate all the wav files for a voice. If you don't have enough lines, you can either copy and paste the same line multiple times to fill the gap or just don't supply an audio file at all (in which case the line will be silent and complete instantly).

The audio needs to be:

• .wav files
• 44100 Hz - some have reported that lower rates also work
• 16 bit (depth) - someone got burned on this
• Can be stereo or mono, depending on your preference. I like stereo because at least in my testing, it seems to have a bigger sound which is more fitting for dirty talk. Though, apparently the whole Skyrim community usually uses mono so I probably just made things complicated (sorry), but it was hard to hear the voices in scenes with a lot of ambient noise with mono (in other words mono seems to be too quiet). If you ever find yourself in a situation where you'd like to convert an existing voice from stereo to mono, you could batch convert with Audacity, but you'd have to do it per dialogue topic.

Different ways of making the audio:

As for how to actually make the audio... You can try AI generated voices with programs like ElevenLabs (money, nicer?) or XVASynth (free?) or you could manually splice your own from the game's audio files. I haven't tried the former, but the latter I will describe below:

How to manually splice the audio:

There is information online on how to get the game dialogue as wav files. You will need to use a BSA unpacking tool to extract the audio as fuz files and then another tool to convert the fuz files to wav files. Once you have the dialogue in wav format, it is just a matter of splicing the audio as you like. A free and simple audio-editing program like Audacity (that what's I used) works just fine for that and is easy to learn. The biggest difficulty in all this really is just the time it takes to go through the dialogue lines and find the bits that would work. I developed a strategy of listening to all the dialogue in a pass and copy/pasting the wav files I thought I might use into a separate folder. I would then rename the copies to whatever the dialogue said so that they were easy to sort through. This helped a lot.